So I found this artist a couple weeks ago. you can probably see my interest in the work (a little jealousy too!)
I have to state that I developed my fiber balls before having ever heard of her work...but check out her sculpture section... That was a real facepalm moment.
Based on the length of her career I assume her fiber balls existed before I ever came up with mine. Similar materials and methods as well as aesthetic. Not to mention a career as a sculpture artist that I'm working towards.
Jeez.
Pimpernel Designs Blog
Repository for a Hyper Active Artist. Illustration, Concepts, Stories, Characters, Sculpture, and other Fancy Striking Tidbits.
06 August 2017
Another bird nest prototype
I'm trying to do different stuff on Instagram and Google Plus as The_Pimpernel and pimperneldesigns so please check those out as well.
I've been allowing myself to drift into building methods used by animals to see if I could retain the ruggedness of say, beaver dams and nests by some of the more ambitious birds, while creating a beautiful thing I could make consistently without ridiculous cost.
Working from the Secret Sauce coatings I went full stucco on a piece I'm currently weather testing.
The outer layer is just sand soaked in Secret Sauce and coated in Spar Urethane, over a standard clump-form nest. It's prototype-y as I built it when in one of those moods where the world outside my head and hands does not exist.
You can see the ring marks from the cottage cheese container I was using as a work stand. Shows you the challenges of working in a medium that takes hours or days to set. If I move these into production I'll have to make a jig that won't leave marks.
Here is a quick one I whipped up to test a plexiglass and pine frame jig I came up with for making corner nests, something akin to a swallow's pocket nest.
This one is sand, a little loose fiber, Secret Sauce, and a little Portland cement.
This sucker is really firm and super durable so I think my new common ingredient is portland from now on!
The jig.
I like that it looks like a book!
I've been allowing myself to drift into building methods used by animals to see if I could retain the ruggedness of say, beaver dams and nests by some of the more ambitious birds, while creating a beautiful thing I could make consistently without ridiculous cost.
Working from the Secret Sauce coatings I went full stucco on a piece I'm currently weather testing.
The outer layer is just sand soaked in Secret Sauce and coated in Spar Urethane, over a standard clump-form nest. It's prototype-y as I built it when in one of those moods where the world outside my head and hands does not exist.
You can see the ring marks from the cottage cheese container I was using as a work stand. Shows you the challenges of working in a medium that takes hours or days to set. If I move these into production I'll have to make a jig that won't leave marks.
Here is a quick one I whipped up to test a plexiglass and pine frame jig I came up with for making corner nests, something akin to a swallow's pocket nest.
This one is sand, a little loose fiber, Secret Sauce, and a little Portland cement.
This sucker is really firm and super durable so I think my new common ingredient is portland from now on!
The jig.
I like that it looks like a book!
Structure
More Work on bird nests. I'm really narrowing down my materials and techniques so I think I'm on to a final products for these things.
It's been a few years but now I can see that I'll actually have a beautiful, naturalistic nest that's also durable out in the environment!
Yes.
I leveraged basic archway physics for this but it shows the durability of the final product.
It's just bailing twine, plus a couple secret sauces, then paint.
I have no doubt it could hold a lot more weight.
So I bit the reality bullet and realized I had to provide more structure to the nest before the final coating(s). Here's a look at the spiral form I started using rather than the clump method which looks frickin' cool but leaves big soft spots that loose structure if they get damp.
Unpainted, the surface gets crumbly when left in the open outside but due to the tight coils, it's still as strong as the painted version.
I didn't make the back for these since their in testing but the closure will look the same and will be (and is on earlier pieces) removable for cleaning.
This one===>
Is a proof of concept piece where I deliberately omitted one of the structural steps on a clump method piece and just coated with spar urethane. It gets soft in the rain but remains intact and firms back up when it dries.
You can see some of the clump pieces before I dialed in weather durability here.
A shot of one of my earlier nests that I converted into a lamp. It casts an awesome multi-colored pattern on the wall!
Boom.
Also available, contact me if interested!
It's been a few years but now I can see that I'll actually have a beautiful, naturalistic nest that's also durable out in the environment!
Yes.
I leveraged basic archway physics for this but it shows the durability of the final product.
It's just bailing twine, plus a couple secret sauces, then paint.
I have no doubt it could hold a lot more weight.
So I bit the reality bullet and realized I had to provide more structure to the nest before the final coating(s). Here's a look at the spiral form I started using rather than the clump method which looks frickin' cool but leaves big soft spots that loose structure if they get damp.
Unpainted, the surface gets crumbly when left in the open outside but due to the tight coils, it's still as strong as the painted version.
I didn't make the back for these since their in testing but the closure will look the same and will be (and is on earlier pieces) removable for cleaning.
This one===>
Is a proof of concept piece where I deliberately omitted one of the structural steps on a clump method piece and just coated with spar urethane. It gets soft in the rain but remains intact and firms back up when it dries.
You can see some of the clump pieces before I dialed in weather durability here.
A shot of one of my earlier nests that I converted into a lamp. It casts an awesome multi-colored pattern on the wall!
Boom.
Also available, contact me if interested!
18 February 2017
Been Awhile.
Finally back into the groove.
I've been busy working on new directions for my work and it's finally paying off. The coloring book is out and I'm super excited about that. (barnes and noble, amazon, skyhhorse publishing)
I've also been doing some ink work that I think is coming along nicely. Still using the natural world as my subject matter and I'm working up a big piece with a Tardigrade and a Koi that's taking forever but it should be worth it.
I've been busy working on new directions for my work and it's finally paying off. The coloring book is out and I'm super excited about that. (barnes and noble, amazon, skyhhorse publishing)
I've also been doing some ink work that I think is coming along nicely. Still using the natural world as my subject matter and I'm working up a big piece with a Tardigrade and a Koi that's taking forever but it should be worth it.
06 September 2016
Trying Something a Little Different
I'm a little more savvy about blogging now so I think I will take the little section of writing and drop each piece into new blog Here:
I'm a little more comfortable now showing some more of my thought processes.
I'll start with what I'm calling "dialogues" and probably a bit of fiction, short stories and excerpts from novel length stories.
I hope you all enjoy as much as the rest of my work!
I'm a little more comfortable now showing some more of my thought processes.
I'll start with what I'm calling "dialogues" and probably a bit of fiction, short stories and excerpts from novel length stories.
I hope you all enjoy as much as the rest of my work!
14 August 2016
Sketchbook Einstein
This one worked better than Johnny Cash did. Not the best.
There's a few reasons for that.
1. I used a .005 pen which give much more control for me but that's probably an excuse that better artists will laugh at.
2. I've been focusing on taking care of stress factors so I was less likely to try to put all that energy into a drawing where patience is required thus ruining it.
3. I took my time over three days or so, taking breaks so stress doesn't get me frustrated so I make mistakes.
I have the characteristic vertical stretching on this drawing that a lot of people get from working on a flat surface versus working more vertically. I have a hard time working vertically. It hurts my wrists and I think I'm getting a touch of arthritis...wrist elbow and shoulder, which is great for someone who draws all the time.
There's a few reasons for that.
1. I used a .005 pen which give much more control for me but that's probably an excuse that better artists will laugh at.
2. I've been focusing on taking care of stress factors so I was less likely to try to put all that energy into a drawing where patience is required thus ruining it.
3. I took my time over three days or so, taking breaks so stress doesn't get me frustrated so I make mistakes.
I have the characteristic vertical stretching on this drawing that a lot of people get from working on a flat surface versus working more vertically. I have a hard time working vertically. It hurts my wrists and I think I'm getting a touch of arthritis...wrist elbow and shoulder, which is great for someone who draws all the time.
03 August 2016
Kangaroo Spec.
Okay, so this piece vexed me a little.
I got hung up on detail when I should have just worked exactly like the other animal pieces.
I spent a bunch of time in PS trying to make decent fur while keeping it loose but realized after I flogged myself for a few days that I had never intended to make fur to begin with and I should save that for an entirely different piece with different intentions in mind.
Jeez, what an ass.
Funny how something you know how to do can suck you into a vortex of shame and guilt and make you want to quit art forever!
I believe thats the same process everyone goes through. Now I have to get back into more work so I don't go into art withdrawal again.
Cheers.
I got hung up on detail when I should have just worked exactly like the other animal pieces.
I spent a bunch of time in PS trying to make decent fur while keeping it loose but realized after I flogged myself for a few days that I had never intended to make fur to begin with and I should save that for an entirely different piece with different intentions in mind.
Jeez, what an ass.
Funny how something you know how to do can suck you into a vortex of shame and guilt and make you want to quit art forever!
I believe thats the same process everyone goes through. Now I have to get back into more work so I don't go into art withdrawal again.
Cheers.
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